GEORGE TOWN, March 19 ― Towel art ― quite simply, the art of folding towels into animal shapes ― is usually practised in hotels where these towel animals are placed in rooms to welcome guests.
And now this particular form of origami has become the inspiration behind Penang artist Mandy Maung's latest solo exhibition, Orikata Tales.
Maung combined the intricacies of folding animal shapes with the bright colours of batik to create nine different animal sculptures as well as oil paintings and illustrations for her exhibition.
The artist, also known as MAMA, started working on the sculptures during the first lockdown back in 2020 with the aim of holding an exhibition once the lockdown was lifted.
“The lockdown gave me time to explore, plan out my sculptures and I chose animals with distinct shapes so that they were recognisable,” she said.
Maung completed 12 oil paintings and 13 pencil with white ink illustrations of the batik sculptures in various poses throughout the multiple lockdowns between 2020 and 2021.
“The exhibition was supposed to be in late 2020 but it was postponed… we thought we would hold it in 2021 but it was again postponed so finally, we decided on a date this time and go ahead with it,” she said.
The Orikata Tales exhibition, at Project 26 in Lorong Carnavon, finally opened to the public on March 11 much to the relief of both Maung and the exhibition curator, Ivan Gabriel.
“I am relieved that finally this exhibition came together but the postponements also gave me time to finish a lot of things, such as the pencil and ink illustrations and the final horse oil painting which I did this year,” she said.
According to Maung, the title of the exhibition ― Orikata ― comes from a combination of origami and “kata”, which means “a way of doing things” in Japanese or “to speak” in Malay.
She replicated towel art using batik but due to the difference in material, she had to cut, sew and construct the material to form the animal shapes she chose.
The end results were nine animals; dog, unicorn, cow, horse, giraffe, elephant, rabbit, pig and a pair of chicks.
Next, she painted her batik animal sculptures in different poses such as the pair of chicks in a nest titled “Anak Malaysia” or the pig under a blanket titled “si khun tu” which is Hokkien for “sleeping pig.”
A unicorn, sculpted using a piece of blue batik, sported a string of pearls and was aptly titled “Pearl of the Orient”, almost like an ode to the artist's home state, Penang.
Exhibition curator Ivan Gabriel said Maung first approached him about the exhibition in 2020 after the first lockdown was lifted.
They had even secured the venue for the exhibition when there was another lockdown and it was postponed.
“Despite the uncertainties and postponement after postponement, I am a firm believer of the saying ― when things are meant to be, it is meant to be,” he said.
“The Orikata Tales, whipped up by Mandy, is a true testament to her impressive abilities to infuse personal narratives with her modern spin on the deeply traditional genre of fine art to convey an expansively impeccable collection,” he said.
He pointed out that her attention to details in the series reminded him of local delicacies, as each paint layer was reminiscent of the layers of the delicious kuih lapis.
Orikata Tales, at 26, Lorong Carnavon, is open to the public from 11am to 5pm (Fridays-- Sundays) and only by appointment on weekdays until April 3.
