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Fashion’s gender stereotypes start at a very young age
From an early age, fashion cultivates gender stereotypes, a study reveals. — katrinaelena/Getty Images pic via ETX Studio

BERLIN, Aug 25 — Despite some progress in the fashion industry, gender stereotypes are still alive and kicking. While these days adults have an increasing number of options for unisex — or neutral — collections, children continue to face the same clichés. A new study conducted in Germany reveals that children’s fashion hasn’t stopped promoting gender stereotypes. We take a look.

Anyone who goes to a high-street store or the clothing section of a supermarket can easily see that children’s clothes are not sold in just one section. There is a clear separation between boys’ and girls’ sections. The advantage, if there is one, is that it is difficult to mix up these two sections, with the girls’ area generally distinguished by an explosion of pink, and boys’ by a wave of blue. This holds true for the clothing department, as well as for the toy department. Despite many advances in the past few years in terms of gender neutrality, gender segmentation, on which gendered marketing is based, is far from having said its last word.

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Pink and blue, the colours of discord

A study conducted by data journalist Marie-Louise Timcke and published in the German daily Süddeutsche Zeitung, looked into the matter to find out. Together with her peers, the expert analysed no less than 20,000 shirts and shorts sold at retailers such as H&M, Zalando, and About You, intended for children under ten years old. Prints, colours, lengths, cuts... all was put under scrutiny, and the verdict seems clear: "Current children’s fashion cements gender images,” concludes Marie-Louise Timcke on her Twitter account.

Upon looking at the colours of children’s clothes, it is clear that blue dominates among boys’ clothing, all brands included, while pink rules among girls’ clothes. We can therefore check the box "proven’ for this old cliché that we hoped had gone out of date. The conclusions of the survey go even further: "almost every second shirt for girls is pink. This picture is most extreme in H&M’s collection,” says the data analyst.

Predestined to be dreamers or adventurers

While girls and boys have long — if not always — had passions in common, the prints that are supposed to bring a touch of fun to children’s clothes prove that the line between the genders is stronger than it seems — and that clichés about each gender’s preferences and characteristics are hard to break. For girls, the most used terms are "love,” "girl,” "sunshine,” "smile,” "dream” and "dreamer.” On the boys’ side, we find words related to adventure or sport, with an emphasis on surfing, like "aloha,” "wave,” "explore,” "fast,” "coast,” and "crew.” Two totally different atmospheres. Not content with clearly distinguishing genders, children’s fashion does indeed promote certain stereotypes that have no reason to exist.

Last but not least is the length of the clothes. If it seems obvious that boys and girls under 10 years old should have access to the same cuts and shapes of shirts and shorts, it is not the case in practice. Far from it in fact! "We stacked and compared thousands of shorts for kids from H&M, Zalando and About You. The difference in length is clear: on average, a pair of 30cm-wide shorts for girls is six cm shorter than boys’ trousers. And this is despite the fact that children’s bodies hardly differ at this age. Boys are a little taller and heavier, but could simply choose the next size up. The fact that girls’ trousers are tighter and shorter is simply the result of fashion and socialisation,” the specialist emphasises.

The study also reveals that it is essentially impossible to find certain clothes with any specific print, such as nightgowns decorated with dinosaurs, football-print skirts, or cargo shorts covered with unicorns.

"In the logic of these markets, girls are first and foremost little women; for them, clothing is meant to please. And boys are supposed to be everything but "girls”.’ concludes Marie-Louise Timcke. — ETX Studio

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